In quite a few of these sex writing columns, I’ve either skirted past what a writer should charge for his or her time and work, tried to wax poetic while giving salient advice, or have skipped over the subject entirely. And while you can find plenty of formulas for calculating your time, what this or that website advises this or that kind of writing might be worth in the marketplace presently, knowing what to charge and sticking with what you charge, needs to be taken on a case-by-case basis.
Not just from one writer to another but even from the same writer considering one job over another.
Let me give you a recent example of something that was proposed to me:
An agent I had worked with a while ago, somebody who hits me up across Skype every so often or I’ll send a “Hey, how you doin’?” to every couple of months, left me a message that he has a new job for which he thinks I might be suitable. I had worked about a year-and-a half on a massive project for this guy where I had to employ six other writers to handle the workload. I made some good money, got to spread a little cash around to some writers I knew who could use it, and had some fun traveling a bit for the job. It also made me crazy in that I was locked at the computer all the time and, quite frankly, was scrambling to produce more content than was probably healthy for me to do, all because I was being paid so little I had to make it up in volume.
Hey, I had signed up. I knew what I was getting myself into, and at the time, I needed the dough badly.
The new job the guy is presenting? Well, the price for the work is, again, way too low. But these days, ten years on from the last job I did for this dude, my circumstances are a bit better (or maybe I just give less of a shit and really don’t want to aggravate myself now). These days I can choose to be slightly more picky with the work I may take (slightly) and once again, the price the agent quoted me is so low I can’t see clear to expending the time and energy on this job. I countered with a ‘family-and-friends,’ rate but I doubt the client will come up as much as I need them to… and believe me, I’m being very reasonable. I really would like to help the agent and a few more jingles in my old coin purse would not hurt, but I can’t take steps backwards.
But even when you are desperate for work, or know what you’ll be doing might be kinda fun (this new job would be writing dirty evergreen articles, a job that’s right up my back alley, so to speak) there are just some jobs that are not going to be right for you.
Working as hard as I have over these years I have found what I feel I am worth and generally I try and stick to this price quote. Assuredly this calculation wasn’t easily come by and making it for yourself will be one of the harder aspects of the freelance writing life you’ll come to. Like I mentioned, you can rely on formulas and calculations, or even simply assume what you’re worth, but you could come to price yourself out of jobs well before you have the skills or experience to handle them. Or you could quote yourself too low.
I’ve done both.
Consider how long you have been at this, what your unique skills are, and what the job will entail. Think hard on the job presented, will it require you to bend to a learning curve, or is it something you could jump right into? Has the time come now for you to up your quote? Have you just completed a bunch of work that you feel has really increased your skills and even your reputation? Or are you feeling the bite of a tough personal economy and think it might be prudent to adjust your quote, at least for a little while?
Get what you think what you are worth my dear fellow writers but always think hard on what that might be.
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Featured Image by Photo by maitree rimthong from Pexels
One of the masters of the written word, Steven King (no slouch in the old writing department) makes a mention in his book On Writing: A Memoir of the Craft that he’s as cautious of the overuse of adjectives as he is with the ‘he said,’ ‘she moaned,’ ‘he admitted,’ kind of dialogue descriptors. He does have a point. That extra stuff added at the end of some dialogue can slow it down. I think once you have established who is speaking to who, then you can probably let go of the ‘he/she said’ stuff unless a character is doing something specific when speaking that you want to have your audience ‘hear.’
Sex doll Rebecca © Naughty Harbor
Sex doll Vivian © Naughty Harbor
